Tymock Plays Belgrade and Novi Sad for the First Time
Nis collective Tymock performs in Belgrade on Friday, October 23, and in Novi Sad a day later. They are the band's first concerts in both cities.
“This Was Supposed to Get Easier With Time” is the title of the first EP by the Nis collective Tymock. This Friday, October 23, the band takes the stage in Belgrade for the first time, and the next day, Saturday, October 24, it plays its first concert in Novi Sad. Their first meeting with audiences in both cities comes after two released records.
Where and when does Tymock play?
The Belgrade show is set for Friday at club Dim, where Tymock shares the bill with Schwabe and Toske. The Novi Sad concert is on Saturday at 9 p.m. at the CK13 Youth Center, better known as Crna kuca (the Black House), where the band appears alongside Bojan Ozegovic. Entry to Crna kuca is 700 dinars, and minors pay a voluntary contribution.
What is Tymock and what has it released so far?
The collective was founded in Nis in 2020 and works where ambient music, post-rock and experimental sound meet, combining electronic and acoustic instruments. The debut EP, the one with a title that sounds like a sentence said under one’s breath, appeared on many lists of the best releases of the year it came out.
The second record followed two years later and is called “We Watch Houses Burn Through the Window”. Singles from it stayed on the Super Meni chart at Radio Aparat for more than a month, and the song “Dilane, pjan si” was named single of the week. The same song made the 2026 shortlist for the Milan Mladenovic Award, which is worth noting for a band that has never played in the capital: its name reached Belgrade and Novi Sad before its members did, by way of charts, radio and an award shortlist.
Who is Bojan Ozegovic, the guest at Crna kuca?
Ozegovic is a Novi Sad musician who works in electroacoustic improvisation and noise. He is a member of the Laptop Ensemble Novi Sad and a co-founder of the multimedia collective GOMILA. Unlike Tymock, which builds songs from electronic and acoustic instruments, Ozegovic explores the sound of the environment and of synthetic and natural materials.
For preparation before the concert, both records are on Bandcamp, and “Dilane, pjan si” is the logical first stop. Within a single day, Belgrade and Novi Sad will be able to check whether what has so far reached them through recordings and radio waves sounds the same on stage.
